The tune book of Rowland Jenkins Richards, Llangwyryfon, containing hymn-tunes and psalm-tunes, with notes by David Lewis.

A book of hymn-tunes and psalm-tunes, mainly by John Williams, Dolgellau ['Ioan Rhagfyr'], together with Welsh airs: 'Difyrrwch Gwŷr y Gogledd', 'Cân hen Ŵr y Cwm' and 'Cwymp Llewelyn'.

The St. Asaph Tune Book, A musical companion to the St. George Hymn Book ..., Rhyl, 1876, with additional notes by David Lewis, including biographical notices of the Reverend T[homas] Williams, Llansantsior, the Reverend John David Edwards, Rhosymedre and W[illiam] J[ohn] Hughes, Rhyl; and tunes taken from John Playford: The Whole Book of Psalms, London, 1707, and Nathaniel Gawthorn: Harmonia Perfecta, London, 1730.

An early nineteenth century music book of Charlotte Louisa Talbot [afterwards the wife of the Reverend John Montgomery Traherne, Coedriglan] ('the gift of Mama'). The volume contains songs, psalms, hymn-tunes, dances, etc., and the titles include 'Glamorganshire March', 'The Soldier's Joy', ' La Piedmontaise', 'O What a beau my Grannie was', 'Progressive Lesson' ('by Hulmandel', i.e., Nicolas Joseph Hullmandel), 'Duke of Gloucester's March', 'Easter Hymn', 'Hymn' by [Ignaz Joseph] Pleyel, 'The Highland Queen', 'Song in Rosina', 'Song in poor Soldier', 'The Complaint' by [? William] Jackson, 'Somebody' by Lady Cornwallis, 1776, 'Rock & wie pickle tow', 'Lady Priscilla Bertie's Minuet', 'In Airy Dreams', 'Egyptian Love Song', 'Babling Echo', 'Song', 'Down the Burn Davy', 'The Belfast Almanack ', 'Sir Watkins Delight', 'Black Mary' ('very old Galic air'), 'Barcarole ', 'Marlbroug', 'Aria' by [Wolfgang Amadeus] Mozart, 'Kate of Aberdeen', 'The Fields were green', 'Rest beauteous flow'r . . .' by Jackson, 'Thou soft flowing Avon. . .' by Dr. [Thomas Augustine] Arne, 'Valenciennes March', 'Waltz', 'Mrs. Brunels Waltz', 'Lord Wellington', 'Oh the Moment was sad' ('Irish'), 'Leipsic Waltz', '2d Waltz', '3d Waltz', '4th Waltz', 'Amour, cruel amour', 'Oh Nanny' by [Jan Ladislav] Dussek, 'Rondo', 'Kielmark's Romance', 'Chatley Waltz', ['La pipe de Tabac'] by [ ] Varnier, 'Thirty second Psalm', '34th Psalm', '42d Psalm', 'Mrs. Macdonald ', 'Rousseau's Dream', 'La Brillante', 'Austrian Waltz' by [John] Parry [ of Ruabon], 'Air' by [?P.M] Meyer, 'Barcarole', 'The Porteynon Whim' (1817 ), 'Vincennes Waltz', 'Miss Knight's Waltz', ['Waltz'] by [ ] Ferstein, 'She rose and let me in', 'La Paysanne', 'Folia d'Espagna', 'La pion pion d' Estelle', 'March' by [Robert Nicolas Charles] Bochsa, 'Waltz' by [Johann] Schenk, 'The Hyperbole' ('composed by Mrs. R. J.'), 'Waltz', 'Thema', 'The Queens Minuet', 'Psalm 34th', 'How long wilt thou forget me Lord . . .' by [ George Frederic] Handel, 'Part of the Service of the Greek Church as performed in Russia', 'Psalm VIII' ('Magdalen Evening hymn'), 'No t'was neither shape nor feature . . .' by [Johan Sebastian] Bach, 'The Inconstant's Waltz', [ ] by [ ] Pleyel, 'The Lass that was laden wi' care', 'Conway Castle' by [John] Parry, 'Emma's Reel', Welsh air ('Os ai dithau duwa y lech blaen nant ty . . .'), [ ] by [ ] Pleyel, Welsh air ('[Pan] own i ar foreudydd ...'), 'Toi!', 'Air by Lady Catherine Bligh', ‘'Jones's Hornpipe', 'Andante' by [P. J.] Meyer, senior, 'Where the bee sucks' by Ame, [ ] by [Girolamo] Crescentini, 'Rondo' by Bach, [ ] by Bach, 'Lochaber', 'Miss Johnson's Reel', 'Sonata' by [William] Corbett, 'Romance' by [Franz Joseph] Haydn, 'Air' by [Giovanni Battista] Viotti, 'La Montaguarde' by [ ] Trenisi, 'Waltz', 'March' by Handel, 'Arietta Romana', 'Wire a' Noddin', 'Indian Air', 'Sonata' by [?Johann Samuel] Schroeter, 'Rondo in 11 Barone di Terre forte' by [?Tommaso] Giordani, 'L'Été', 'La Foe', 'La Flora', 'La Matilde', 'Le Tancred', 'Zitti Zitti', 'La Limerick', 'La Nouvelle Fantaisie', etc. The greater part of the volume is indexed.

Ink full score, piano score, proof copy (in tonic sol-fa notation only) and instrumental parts.

Unharmonised hymn-tunes, anthems, and psalm-tunes.

The tune book of Thomas Jones, Newhavren at the age of twenty, 1838. It contains a large collection of hymn-tunes and psalm-tunes, mostly unsigned. Signed tunes are by Hugh Jones, Pen y Bwth, John Ellis, Robert Williams, Richard Roberts, Llandrygarn and Edward Jones.

The tune book of John Roberts, Llanegryn, 1826, and later of Bontdolgadfan, containing anthems, hymn-tunes and psalm-tunes by John Roberts, Pantyniwl, John Williams, Abermawddach, H[ugh] Jones, Maesglasau, W. Williams, Llanegryn, John Edwards, Llangadog, the Reverend Richard Phillips, Bala, John Roberts, Llanbrynmair and others; and a hymn for use in Sunday Schools ('Yn ysgol bur fy Nuw').

A volume written by Thomas Richards, Darowen during the period 1819-31, containing hymns, metrical psalms, 'carolau plygain', etc. by Thomas Jones (Creaton) (at Longnor, 1781), Thomas William (1798), ?Thomas Richards (Darowen) (1819) ('A Gyfiaethwyd o waith Mr. [Ralph] Erskin[e]), John Powel (Llansannan) (1767), Owen Robert(s) (1795), David William [Llandeilo-fach], E[dward] Jones [Maes-y-plwm] (1797), Rowland Hugh (Grienyn), David Richards ('[Dewi] Silin'), David Thomas ['Dafydd Ddu Eryri'], William Jones (Rhos Llanerchrigog), Jonathan Hughes, Walter Davies ['Gwallter Mechain], Evan Evans ['Ieuan Glan Geirionydd'] (1822) and D'd Harries (Darowen) (1831), and anonymous poems.

'The "Te Deum" arranged to be sung to 10 Double & 9 Single Chants-following each other, in order to avoid the monotony of singing the whole to one Chant', 'Jubilate', and hymns and psalm-tunes, most of them composed by John Orlando Parry when he was organist of St. Jude's Church, Southsea.

A miscellaneous collection of hymn-tunes, psalm-tunes and anthems compiled early in the nineteenth century. The composers' names given are W. Rowlands, Robert Parry, R. Jones and Hugh Hughes.

The tune book of John Williams, Tynyffordd, weaver, containing psalm-tunes, hymn-tunes and traditional Welsh songs.

'The first attempt at Composition by John Orlando Parry. Aged 11 years. 1821', being a number of miscellaneous songs and psalm-tunes.

A composite volume containing miscellaneous material in the hand of Edward Williams ('Iolo Morganwg'). The contents include pp. xiii, xv-xvi, two lists of the contents of pp. 1-160; xvi, a copy of an 'englyn' by [Edward Williams] 'Iolo Morganwg'; 1-5, a version of the rules for regulating the Welsh bardic order ('Ystatun . . . ar wyr wrth Gerdd') attributed to Gruffudd ap Cynan and Bleddyn ap Cynfyn; 5-9, comments by [Edward Williams] 'Iolo Morganwg' on the attribution of the formulation of such rules to Gruffudd ap Cynan and others; 110-114, a copy of a proclamation announcing that an 'eisteddfod' was to be held at Caerwys, co. Flint, 26 May 1567, and a list of the bards and musicians licensed at the said 'eisteddfod'; 115-116, descriptions of 'finger-signs' used to represent letters of the alphabet ('Egwyddor Awgrym Llaw'); 117-27, extracts, including examples of Welsh strict metres, from Welsh bardic grammars described in the first aforementioned list of contents as 'Pigion o Hen Lyfr Dosparth Cerdd dafawd' and 'Amrafaelion [d]darlleniadau yn Nosparth Edeyrn Dafawd Aur ag un Dafydd Ddu o Hiraddug' and in the second as 'Amrafaelion o Hen Ddosparth Cerdd' and 'Darlleniadau amrafaelion Dosparth Dafydd Ddu Hiraddug neu Dafydd Ddu Athraw'; 28, transcripts of three 'englynion' attributed to Rhys amheyrig 'o'r Cottrel'; 28-32, transcripts of two letters reputedly exchanged between the sixteenth century Welsh poets Siôn Mowddwy and Meyryg Dafydd (see also NLW MS 13121B above, pp. 501-05); 32, a brief note on 'eisteddfodau' held at Caerfyrddin in 1451 and 38 Henry VI; 33-118, an incomplete version of a Welsh bardic grammar consisting of part III (pp. 33-55 under an initial superscription reading 'Llyma Ddosparth Cerdd Dafawd a wnaeth Simwnt Fychan Bencerdd Fr Meistr Pirs Mostyn o Dalacre. Hwnn yw Trydydd Lyfr Cerddwriaeth Cerdd dafawd') dealing with the structure of the strict metres, part IV (pp. 55-76) dealing with 'cymmeriadau' and 'cynghaneddau' ('yn nesaf ysbysswnn o'r pedwarydd Llyfr Cerddwriaeth Cerdd dafawd nid amgen noc o'r Cymmeriadau a' r Cynghaneddau . . .'), and part V (pp. 76-119) dealing with faults in metre and 'cynghanedd' and the objects to be praised in verse, and containing at the end a series of eighty-two bardic triads ('Trioedd Cerdd y rhai y mae Beirdd Ynys Prydain yn ymarfer o'i cofiaw a'i ystyried'); 119- 22, a copy of the proclamation announcing the holding of an 'eisteddfod' at Caerwys, co. Flint, 26 May 1568, and the licensing of Simwnt Fychan as 'pencerdd'; 122-3, a note on the adoption of family surnames by the Welsh in accordance with a decree of the aforementioned 'eisteddfod' and on the mode of registering the said names; 124-37, a version of the code of rules for Welsh bards and musicians attributed to Gruffydd ap Cynan as reputedly confirmed by Bleddyn ap Cynfyn and others and at the aforementioned 'eisteddfod' at Caerwys; 138-40, a note relating to Dafydd ab Edmwnt and the 'cadwyn fyrr' strict poetic metre with an example of the said metre; 141, transcripts of 'englynion' attributed to Hywel ap Syr Mathew, Simwnt Fychan, and Howel Bangor; 142-51, a further version of the bardic rules attributed to Gruffudd ap Cynan 'fal ai conffirmiwyd yn Eisteddfod Caerwys . . . 1567'; 152, a note by [Edward Williams] 'Iolo Morganwg' on the aforementioned code of rules; 153-7, transcripts of 'Cywydd y Delyn Ledr' attributed to Dafydd ap Gwilym, two stanzas attributed to Llywarch Hen, and four unattributed 'englynion'; 158-60, a series of Welsh proverbs extracted allegedly 'o Lyfr Harry Siôn o Bont y Pwl'; 197-231 (previously paginated 1-35), notes dealing largely with the phonology of the Welsh language; 268, ? a proposed scheme or list of chapter headings for an 'Analytical Dissertation on the Welsh Language'; 273-392, mainly lists of Welsh words grouped according to their terminations; 376-8, stanzas of psalm tunes; and 409-12, notes on Welsh phonology.

Three fragments mainly containing material in the hand of Morgan Llwyd: a) Sheets out of a notebook containing notes of sermons, one of which is said to have been delivered by 'Mr. Lloyd' [?Morgan Llwyd]. b) A copy (2 pp.) of the verses of lamentation and resolution by the Welsh saints, 1643, comprising ten out of the twenty verses printed by T. E. Ellis in Gweithiau Morgan Llwyd (Bangor, 1899), vol. I, pp. 3-6, in the following order - 1, 2, 5, 6, 3, 9, 8, 7, 14, 18; a version, in the hand of Morgan Llwyd, of the first nine stanzas of a 'Thanksgiving song for Wrexham delivered from pest' (Gweithiau, vol. I, pp. 12-13); notes by Morgan Llwyd, including drafts of sermons, and a list of names (Ens. Roberts, Howell Thom., Ben. Rich., Walt. Thimble., Hugh Prich.) headed by a cancelled sentence - 'who should have the booke of my verse'; twenty-two stanzas beginning 'The lord is kind and merciful ...' in the hand of Morgan Llwyd, being apparently a draft of a poem or of a series of poems by him; thirteen stanzas based on Canticles, in the hand of Morgan Llwyd, ten roughly corresponding to those printed in E. Lewis Evans: Morgan Llwyd (Lerpwl, 1930), pp. 176-8, stanzas 11 and 12 corresponding respectively to 4 and 5 in Ellis: Gweithiau, vol. I, p. 10, and stanza 5 being possibly the basis of stanza 3 in Gweithiau; a transcript of the Canticle verses in another hand; a draft, in the hand of Morgan Llwyd, of the poem 'Hanes rhyw Gymro' (Gweithiau, vol. I, pp. 57-60); and a copy of verse xxviii in Gweithiau, p. 61. c) Draft translations of psalms by Morgan Llwyd. The translations are incomplete, and many stanzas have been cancelled. There are verses translated from Psalms 19, 37, 44-46, 121-122, and 126.

A music book of Mary Thereza Talbot, 1816. The titles include 'Cudyn Gwyn ', 'Diniweudrydd Colomen', 'Lesson' by [John] Parry [of Ruabon], 'Welsh Rondo', 'Lesson' by Parry, 'White January days' ('Welsh'), 'Old tooth Psalm', '139 Psalm', 'The Morning Hymn', 'Rhyfelgyrch Cadpen Morgan', 'Gorhoffedd Gwyr Harlech', 'Twll yn ei Boch', 'Breuddywd y Frenhines', 'Triban Gwyr Morgannwg', 'Plygaid y Bedol', 'Ar hyd y nos', 'Tlysig', 'Merch Megan', 'Mentra Gwen', 'Three Hundred Pounds' ('Welsh'), 'Conway Castle', 'Y Derien Du Pig Felin', 'Ferch o Bedlam', 'I heard the Cuckoo', 'Diddan Captain Morgan', 'Hoffedd Modryb Marged', 'Codiad yr Hedydd', 'A favourite Scotch Air' by [P. J.] Meyer, senior, 'The Queen's Minuet', 'The Spanish Patriots', 'The Anna Maria Waltz', 'A Waltz', 'Polonaise', 'Waltz der Tirol', 'The Atholl Highlander's March', 'German Air', 'Waltz', 'L'Anacreon', 'Le Jeune Honzard' (arranged for the harp), 'Russian Sauteuse', 'La Plaisanterie', 'An Air', 'Cawdor Fair', 'Austrian Waltz', 'Italian Air ', 'Bonnie Fanny', 'Neapolitan Waltz', 'Air in Psyche', 'A Madrigal', 'Barcarola', 'Minuet Lady Coventry's', 'Miss Wynnes Minuet', 'The Harriot', 'Waltz', 'Lord Sr. Orville', 'Put the gown upon the Bishop' ('very old'), 'The M. S. S. Waltz', 'Paddy Carey', 'Shelah O'Niel', 'A Chieftain to the Highlands', 'The Saxon Dance', 'Une Soirée d'été', 'Le garçon volage', 'The lass that was laden with care', 'Callar Herring' by N. Gow, 'Lord Beauchamp's March', 'Wetztein Waltz', 'From la Rosiere', 'The Guittar Dance in Telise', 'Swiss Allemande', 'Quadrille', 'A Spanish tune', 'Waltz',’ 'Allegretto Allemande', 'Mary's Favorite', 'Glamorganshire Rang des Vaches', 'There's nae Luck about the house', 'Dutch Minuetto', 'Le Cobourg ', 'Felton's Minuet', 'The land of the Leal', and 'O! Jenny'.

Psalm- and hymn-tunes.

A copy, which belonged to John Jenkins, of John Rippon : A Selection of Psalm and Hymn-Tunes ... adapted principally to Dr. Watt's Hymns and Psalms, and to Dr. Rippon's Selection of Hymns ... 4th ed. (London, [1800?]).

The tune book of David John Lewis, otherwise David Jones, Tymawr, Llanrhystyd, 1777, containing psalm-tunes and hymn-tunes from various sources, including works by John Jeffreys and David Hughes ['Cristiolus Môn']; a few hymns; and farming accounts and memoranda by David Jones, 1785-1819. David John Lewis was grandfather to David Lewis's mother.