Dangos 4 canlyniad

Personal correspondence, [1972]-1979, consisting of letters and cards to Alfred and Mary Janes, with replies and drafts of replies, relating to portrait commissions and sales, shipping of works, personal & family matters, Croydon College of Art, and Dylan Thomas. Correspondents include Stuart and Nicola Denyer; Professor John Parry, Harvard; Joyce Parry; Kate Parry; Colin Edwards; Ross Janes; Isabel Alonso; Charles Fisher; W. H. Hofmann & Co.; Michael & Carol [Fleming]; Barbara Evans; Take Okada; Marjorie [Watkins]; Alfred Brandt; Peter Siegel; John Evans; Gianni [Gianmarco Bernadini]; Margaret West; A. M. Atkinson (Croydon Art Society); Ellen Edwards; D. G. Banwell (Dulwich College); Arthur W. Martin; P. Phillips (Croydon College of Art); Eno Falutti & others; Jonathan Attwood; Mervyn Levy; Lilian Whitehead; Denis O’Sullivan; Polly Crabtree (Artists in Schools Directory); Paul Ferris (The Observer); Bob Warner; Roland Mathias (The Anglo-Welsh Review); Bruno Garbato; Richard E. Kent; Peter [Schurr]; Margaret Ellis (Swansea Art Society); Paul Clough (Kettle’s Yard Gallery, Cambridge); Elizabeth Parry; Robin & Enid [H. Jones]; J. A. Sandover (Papua New Guinea University of Technology); Glenys & John [Evans]; Tom Jones; Olive Davison; Dan [Daniel Jones]; Hilly Janes; Kirstine [Dunthorne] (Welsh Arts Council); R. S. Thomas (University College Swansea); J. Bullingham (University College Swansea); E. Grey-Turner; and W. Warren, (Royal College of Psychiatrists). Amongst the correspondence are a number of related papers, including invoices for shipping ‘Boys with Crab’, 1978, and for Christie’s auction house, 1979; a Christie’s sale catalogue, ‘English & Continental Pictures & Icons’, 1979; a copy of ‘The Dulwich Villager’ newsletter, 1976; Welsh Arts Council ‘Awards to Artists 1976-77 Notes for Applicants’; invitations, to apply to Welsh Arts Council Editions Alecto Print Scheme 1976-1977 and Welsh Arts Council ‘Aid To Artists’ grants 1976-1977, and Cambridge Art & Design ‘Paintings & Sculpture’ exhibition, 1974; a press cutting, 1975; and a poster for Polytechnic of Central London exhibitions, undated.

Professional correspondence, 1963-1982, consisting of letters to Alfred Janes (with replies by Alfred Janes) relating mainly to exhibitions, portrait commissions, and the sale of artworks. Correspondents include Herbert Brabin (The Constitutional Club); Roberto Sanesi; Olive Davison; Herbert Wiesner; L. V. Newman (Port Talbot Steelworks art exhibition); Jonathan Ingersoll (St Mary’s College Maryland); Principal, Croydon College of Design & Technology; R. Wilkinson; Roland Mathias (Anglo-Welsh Review); Kirstine Dunthorne (Welsh Arts Council); Robert Baines; D. W. Boorman; Take Ocada; Audrey Davies; Geraint Rees (HTV); Maurice Cooke; Duchess of St Albans (Upper Grosvenor Galleries London); R. Brangwyn; Valmai Ward (Welsh Arts Council); Lawrence Wass; Francine Sherlock (Welsh Arts Council); Peter Jones (Welsh Arts Council); Gwynfor [Evans]; Sheila Lochhead (Friends of the Glynn Vivian Art Gallery); J. S. Bunt (Glynn Vivian Art Gallery); R. L. Wakelin (Swansea Art Society); Clive Barda; T. Arfon Owen (Coleg Prifysgol Cymru); Thomas Parry (University of Wales Aberystwyth); Pamela Watson (J. M. Dent & Sons re ‘The Selected Letters of Dylan Thomas’), together with a copy of a letter to Alfred Janes from Dylan Thomas, January 1953, copied from Swansea Public Libraries, 1969; Ethel [Ross]; Frances Edwards (Welsh Arts Council); Leslie M. Rees (Swansea Libraries); Robin [H. Jones]; Colin D. Edwards; G. W. Churcher; Gerald M. Porter; Joan Saunders (Writer’s & Speaker’s Research); Rollo Charles (National Museum of Wales); Ivor Keys; John Hewitt (Herbert Art Gallery and Museum); Norman Pegden (Herbert Art Gallery); Karl Kasten (University of Berkeley California); Diana Gruffydd Williams; Warren Roberts (University of Texas); Denis Mitchell; Elwyn W. Timothy (BBC); and Vernon [Watkins]. Additionally, the file also contains some related papers, including press cuttings, 1973-1975; invoices for return of artworks and commissions, 1966-1971; and an invitation and seating plan for the Thomas & Enid Parry Honorary Dinner, Penbryn, Aberystwyth, 1969.

Personal correspondence, [1979]-1990, consisting of letters and cards to Alfred and Mary Janes, with replies and drafts of replies, relating to the Dylan Thomas Award and his memorial at Westminster Abbey, portrait commissions, reproduction fees, inclusion of works in exhibitions, and purchase of art works. Correspondents include George Tremlett (Corran Books); S. P. Lock; Frances Clifford-Jones (J. M. Dent & Sons Publishers); Richard Smith; Walford Davies; Jennifer Hallam (Glynn Vivian Gallery, Swansea); Charles Fisher; Caroline MacGregor (Pan Books); Jane Wood; Susan & Peter [Schurr]; Melanie Vaughan-Hughes; Andrew Knight (Andrew Knight Gallery); Geoff Hassell; Ann Landers (The Welsh Group); John Sheeran (Dulwich Picture Gallery); Valmai Ward (Welsh Arts Council); J. Idris Evans (Swansea & District National Eisteddfod); Alan Figg (Howard Martin Memorial Trust); Eric Rowan (Welsh Arts Council); John O[?rmond] (BBC); Professor John Parry (Harvard); Kate Parry; Joyce Parry; D. Naismith; Clifford Simmons (The Poetry Society); John Bunt (Glynn Vivian Gallery); Sally Williams (Oriel); Bruno Garbato; Eileen [?MacKenzie]; Colin D. Edwards; W. R. J. Pullen (Westminster Abbey); Glenys & John [Evans]; Peter L. Lantos (Institute of Psychiatry); John Gunn (Institute of Psychiatry); Richard D’Aeth; Jeremy Morgan; Don Lewis (Church of St Mary Swansea); Helen Ratcliffe & Christopher Hood (Swansea Fringe); Lowri Morgan (University of Wales Press); Barbara Chaffey (The Maudlsey Hospital); Graham King (West Glamorgan County Council); John Laws; Bill & Jean Warner; G. H. C. Wilmot; and Peter Jones (Welsh Arts Council). Amongst the correspondence are a number of other related papers, including press cuttings, 1980, 1982, and 1987-[?1988]; invoices, 1980-1981, 1984, and 1986-1987; drafts of tributes by Alfred Janes to Ceri Richards, undated, and Kenneth Hancock, 1982; a Corran Books Catalogue, 1983; a programme for ‘Under Milk Wood’ (Festival of Dylan Thomas), 1986; a copy of ‘Collectorplan/Cynllun Casglu’ for artworks in Welsh galleries, [1984]; a list of drawings to be sold, 1979; invitations to the Swansea & District National Eisteddfod, 1981, and the launch of ‘Wales in Verse’ by Dannie Abse [?1983];a ‘Notice to Artists’ (Royal Academy of Arts), 1983; and an advertisement for an exhibition ‘Andy Wood: Paintings and Watercolours’ (Thackeray Gallery, London), 1981.

Press cuttings and other papers, including cuttings relating to Swansea Little Theatre, 1969; Dylan Thomas, 1973; Alfred Janes exhibitions and works, 1960, 1962, 1967 and 1970, one featuring a letter from Alfred Janes published in the Evening Post, 1962; and an envelope, 1967, labelled ‘Colin Edwards California Correspondences’, including copies of press cuttings relating to Alfred Janes exhibitions, 1960, 1962, 1966 and 1967, with a letter to Colin [Edwards] from Alfred Janes, 1967, and a list of exhibits for ‘Towards a Concrete Art’ (The Architectural Association, London), 1967. Additionally, the file also contains a card from Irene & Dan [Daniel Jones], undated; and a letter from Clive Webster, 1971.