Identity area
Reference code
Title
Date(s)
- 1914-2023 (with gaps) (Creation)
Level of description
Fonds
Extent and medium
8 large boxes (0.229 cubic metres) and 2 bespoke large folders.
Context area
Name of creator
Biographical history
Alfred George Anstee Janes was born in Swansea on 30 June 1911, the son of a greengrocer, and attended Bishop Gore School and the Swansea College of Art. His artwork showed promise at an early age and in 1928, when he was sixteen, his work was exhibited at the National Eisteddfod, Treorchy. He became known for his portraiture and in 1931 his portrait of fellow Swansea artist Mervyn Levy was much praised, following which Janes won a scholarship to the Royal Academy Schools in London.
In the early 1930s Janes became part of a group of Swansea artists and writers (known as the ‘Kardomah gang’ due to their preferred meeting place at the Kardomah Café, Swansea) that included Vernon Watkins, Charles Fisher, John Prichard, Mervyn Levy, Bert Trick, and Dylan Thomas, who was introduced to Janes via their mutual friend, the composer Daniel Jones. When Janes moved to London to take up his place at the Royal Academy of Arts he famously found himself sharing a flat with Thomas and Levy, an environment where he painted his most well-known portrait of Thomas in 1934. Janes returned to live in Swansea in 1936 and took up teaching at Swansea College of Art, before enlisting in wartime service where he was posted to Egypt to work in a prisoner-of-war camp, where he learned Swahili and Italian; some of the friendships he made with the Italian prisoners lasted for the rest of his life. He married Mary Ross at Swansea's Guildhall in 1940 while on special leave from war service, and they had two children together, Ross and Hilly Janes. Following the war the Janes family lived at Nicholaston Hall, Gower, before moving to Dulwich in 1963 when Janes took up a lecturing post at the Croydon College of Art, where he lived until his death on 3 February, 1999.
Throughout his career Janes became known for his portraits of the ‘Kardomah gang’ including those of Dylan Thomas (whom he painted and drew three times, in 1934, 1953, and 1964), Mervyn Levy (1931 and 1935), Daniel Jones (1947 and 1949), and Vernon Watkins (1949), as well as his more powerful and thought-provoking works such as ‘Salome’ (1938) and his painting of the bombed-out Kardomah Cafe on Castle Street, Swansea, after the 1941 Blitz (1947). Respected as one of the finest Welsh artists of the 20th century, his works have been exhibited at galleries in Wales, London, and beyond.
Archival history
Papers collected and accumulated by Alfred Janes during his lifetime. Some papers that post-date Alfred Janes's death were accumulated by Mary, Ross, and Hilly Janes.
Immediate source of acquisition or transfer
Dr Ross Janes and Miss Hilly Janes; London; Donation; July 2009
Content and structure area
Scope and content
Papers collected and accumulated by the artist Alfred Janes (1911-1999), including papers relating to his life and career as both an artist and a lecturer. The collection consists of correspondence, 1928-1999, including letters and cards to Alfred Janes and family with replies and drafts of replies, regarding both personal and professional matters, together with various other related papers; papers, 1935-2005, relating to exhibitions featuring the works of Alfred Janes and others at galleries both in Wales and further afield, including exhibition and sale catalogues and promotional material, together with other related papers such as correspondence, cuttings, and photo prints; ephemera, 1914-2003, consisting of personal items both collected by and relating to Alfred Janes, including personal diaries, books, magazines and cuttings, cards, certificates, and items relating to his memorial service at the Royal Society of Arts, London, in 1999; papers relating to notes, lectures, and publications, 1922-2000, both written by and relating to Alfred Janes and his works, including papers relating to his college lectureships and teaching career, notes and essays, publications, articles, sketches, and typescripts; photographic prints and postcards of Alfred Janes and his art works, [?1920s]-2023, including prints of portraits, still life, and abstract works, works featured in exhibitions, and personal photographs of Alfred Janes and others, including other members of the 'Kardomah group'; and musical scores for ‘Bricks Without Straw’, a revue by Ethel Ross with music by 'George Anstee' (Alfred George Anstee Janes) performed at Swansea Little Theatre, 1952, together with programmes and typescripts.
Appraisal, destruction and scheduling
All records have been retained, with the exception of some duplicate material and a very small amount of material deemed not relevant to the collection.
Accruals
Accruals are not expected.
System of arrangement
Arranged by subject into six groups in keeping with the original order as found: Correspondence; Exhibitions and catalogues; Ephemera, Notes, lectures, and publications; Photographs; and Music manuscripts.
Conditions of access and use area
Conditions governing access
Readers consulting modern papers in the National Library of Wales are required to abide by the conditions set out in information provided when applying for their Readers' Tickets, whereby the reader shall become responsible for compliance with the Data Protection Act 2018 and the General Data Protection Regulation 2018 in relation to any processing by them of personal data obtained from modern records held at the Library.
Conditions governing reproduction
Usual copyright laws apply.
Language of material
- Basque
- English
- French
- Italian
- Japanese
- Spanish
- Swahili
- Welsh
Script of material
Language and script notes
Mainly English, with some Italian, Welsh, French, Swahili, Japanese, Spanish, and Basque.
Physical characteristics and technical requirements
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Note
Content Warning: The archive contains some historical material that can cause distress or offence, including discriminatory language and attitudes. Details are given at the appropriate level of description.
Note
Title based on contents of archive.
Note
Researchers may wish to note that the archive does not contain any correspondence between Alfred Janes and Dylan Thomas.
Alternative identifier(s)
Virtua system control number
ALMA system control number
Access points
Place access points
Name access points
- Janes, Alfred -- Archives (Subject)
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH.
Status
Final
Level of detail
Full
Dates of creation revision deletion
July 2025.
Language(s)
- English
Script(s)
Sources
The following sources were used in the compilation of this description: contents of archive; Hilly Janes, 'The Three Lives of Dylan Thomas' (London: The Robson Press, 2014).
Archivist's note
Compiled by Lucie Hobson.