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An address book ([?1945x?1947]) belonging to Alfred Janes, including notes on painting and composition; and addresses of contacts listed in alphabetical order. Contacts include Charles Fisher, Esther Grainger, Arthur Giardelli, Lord Harlech, Wynne Cemlyn Jones, Augustus John, Daniel Jones, Mervyn Levy, Cedric Morris, John Prichard, Keidrych Rhys, Ceri Richards, Edith Sitwell, Goronwy Rees, Bert Trick, Dylan Thomas, Wynford Vaughan Thomas, Vernon Watkins, Eliot Crawshay-Williams, Huw Wheldon, and Sir Watkins Williams-Wynn, among others.

Letters, [1954x1958] and 1980-2004, from Aeronwy Thomas; among the recipients are Daniel and Irene Jones, Jeff Towns, Gilbert Bennett, and Llewelyn Thomas (copy). Also included are press cuttings, 1970-2007, relating to Aeronwy Thomas.

Copies and cuttings of articles written by or featuring works of Alfred Janes and others, comprising ‘Sir Alfred Munnings’ Presidential Speech’ (Royal Academy), 1949; ‘William Scott: a life study’ (published in The Independent), [?1989]; ‘Portrait of an artist as a young man’ (article in Western mail using Janes’s 1934 portrait of Dylan Thomas), 1997; three typescripts of a radio broadcast ‘Swansea and the Arts’, by Dylan Thomas, Vernon Watkins, Alfred Janes, Daniel Jones & John Prichard, 1949; and a copy of Croydon College School of Art & Design Programme in Complementary Studies for Fine Art Students, [?1960s-1970s]; together with a note titled ‘Details of Fred at RA Schools’, undated.

Thirty-five letters, 1944-1957, to the artists' model Mary Keene, comprising twenty-three from her friend Caitlin Thomas, 1945-1954 (ff. 1-30), six from the latter's sister Brigit Marnier, 1944-1949 (ff. 33-43), and six from Florence Thomas, mother of Dylan Thomas, 1954-1957 (ff. 44-53), all containing personal and family news.
Also included is a letter, 11 October 1950, to Caitlin Thomas from her domestic help, Dolly Long of Laugharne (ff. 31-32). There are numerous references to Dylan Thomas (ff. 1 verso-10 passim, 19, 20 27 verso) and his funeral (ff. 43-44) and to Caitlin (in addition to her own letters) (ff. 36 verso, 44-54 passim). There are also references to Laurie Lee (f. 16 verso), Anthony Devas (f. 23 verso), Louis MacNeice (f. 45 verso) and Daniel Jones (f. 47 verso).

Uncorrected galley proofs, [1965], of Constantine FitzGibbon's work, The life of Dylan Thomas (1965), containing some amendments in Ralph Maud's hand and typescript suggestions for alterations to the text; together with fourteen letters, 1963-1964, from the author to Glyn Jones, Daniel Jones and Mervyn Levy.

File comprises research notes on the composer Daniel Jones for a HTV documentary, along with letters from Daniel Jones to Patrick Hannan.

Some ninety-eight letters, 1939-1976, to Vernon Watkins, with a few addressed to Mrs Gwen Watkins, from various correspondents (surnames H-O), including Michael Hamburger (12, including two poems) 1949-1967, Alfred Janes (4) 1949-1967, Dr Daniel Jones (5) 1947-1970, Glyn Jones (1) 1945, Professor Gwyn Jones (3) 1939-1976, Ray Howard-Jones (1) 1966, and Roland Mathias (1) 1965.

Holograph letter of congratulation, 1935, from Dylan Thomas's father, D[avid] J[ohn] Thomas, to Daniel Jones, possibly after the latter was awarded the Mendelssohn Scholarship.

Undated holograph letter, [1926x1928], written in pencil on a lined page torn from an exercise book (recto side only), from Dylan Thomas to Dan[iel Jones], requesting that the latter visits him to collaborate on a review and other work.

First printing of the BBC script, [1953], (71 pp.), of 'Under Milk Wood', produced by Douglas Cleverdon; annotated by Daniel Jones.

Papers, [1953]-1957, relating to the publication of Under Milk Wood, among them manuscript and typescript drafts, 1954, of Daniel Jones's Preface; a draft contents table, [1954]; typescript 'Notes on pronunciation', [1954]; an alternative typescript Preface by Daniel Jones, stamped 20 Dec[ember] 1957; a typescript list of amendments to the page proofs by Daniel Jones and Douglas Cleverdon; and two lists of emendations to the BBC script of UMW, [1953]x1954. The file also contains correspondence, 1954-1986, mainly addressed to Daniel Jones, with two replies by him, regarding Under Milk Wood, including the recording of the BBC production of the play, permission to use DJ's music, and royalties derived from the work.

Correspondence and papers, 1980-1982, relating to the laying of a memorial stone to Dylan Thomas in Poets' Corner at Westminster Abbey, together with papers relating to the presentation of the first Dylan Thomas Award, 1983 (ff. 130-3) and two letters, 1964, to Mervyn Levy concerning the poet (ff. 134-6). The correspondents include Daniel Jones (3) 1982, John Ormond (4) 1981, Aeronwy Thomas-Ellis (15 draft and copy letters) 1981-1982, and Llewelyn Thomas (2) 1982.

Six autograph letters (one photocopy), [1953]-1957, from Dylan Thomas's mother, Florence ('Florrie') Thomas, to various recipients including Daniel Jones, J. Oliver Stephens and Vernon Watkins. They mainly relate to her bereavement, to Dylan, Caitlin and the grandchildren, and her health.

A photo print labelled 'Dylan Thomas funeral', showing a group of people gathered around a kitchen table, [1953]. Those in the photo include Jim Jones (brother of Daniel Jones); John Ormond; John Prichard; Alfred Janes; Irene Jones; Margaret Taylor; Charles Fisher; Mabley Owen; Daniel Jones; 'Mrs Thomas' (Dylan's mother); and Mary Janes.

Includes letters, 1935-1997, from John Malcolm Brinnin (4), John Davenport (2), Nicolette Devas, George Firmage (2), Alfred Janes (2), Mary Keene, Mervyn Levy, Mably Ceredig Owen (2), John Prichard (to Dylan Thomas, enclosing typescript play, 'The centric part'), Bill Read (2), Lynette Roberts, Stephen Spender (3), Margaret Taylor (2), and Tom Warner (2). Amongst the recipients are Vernon Watkins, Daniel Jones, and Charles Fisher. Also included are press cuttings, [1949]-1999, relating to Alfred Janes, mostly tributes.

Correspondents include Nicholas Jackson (18), [1982?]-1988; Gordon Jacob (8), 1962-1967; Daniel Jones (10), 1951-1974 (including a letter from his wife, Irene); Glyn Jones (3), 1959, 1970, 1973; Glynne Jones (11, with one reply from AH), 1975-1994; Gwyneth Jones (4).

Includes letters from Daniel Jones (2), Glyn Ceiriog Hughes, Fred Green, Sidney C. Hutchison (5), Henry Paget (Marquess of Anglesey), Brychan Evans, Peter Thomas, William Gladstone, Ben G. Jones, Hilda Vaughan, and Gweno B. de Jones (with a typescript of an English translation of the letter).

Twenty-three letters, copy letters and telegrams, 1953-1975, eighteen of which are to Stuart Thomas of D.O. Thomas & Co., relating mostly to Dylan Thomas's death and funeral arrangements and to Dylan Thomas Trust business.
The correspondents include Graeme [Finlay], November-December 1953 (ff. 1, 19), David Higham, November-December 1953 (ff. 2, 17, 20-23), [Nicolette] Devas, 18 November 1953 (f. 3, telegram), Louis MacNeice, November 1953 (ff. 4, 9), Margaret Taylor, 1 December 1953 (ff. 12-14), Dan[iel Jones], resigning as a trustee, 25 January 1955 (ff. 26-27), and Florence H. Thomas, August 1956 (ff. 28, 30). There are also letters from Oscar Williams to [I. W.] Ungoed-Thomas, 22 November 1953 (f. 8), and Donald A. Kershaw to David Higham, 7 October 1953 (f. 11), and a carbon copy letter from David Higham to Ruthven Todd, 28 December 1953 (ff. 24-25). A letter from Paul [Ferris], 8 September 1975 (f. 32), encloses a Xerox copy, [?1975], of the script for Stuart Thomas' tribute to Dylan Thomas, transmitted on the Home Service as 'Portrait of Dylan Thomas' on 11 December 1953 (ff. 33-47). Also included is a copy, December 1953, of the New York funeral directors' account (f. 16); a copy, 1965, of Dylan Thomas' death certificate (f. 31) and a programme for a production of Under Milk Wood in Swansea in September 1956 (ff. 48-51).

Thirty-four unpublished autograph letters and cards, together with a telegram, 1947-1984, from Caitlin Thomas; among the recipients are Paul Ferris, Daniel Jones (with a draft reply by him), Mervyn Levy, Andrew Sinclair, Stuart Thomas, Ruthven Todd, and Gwen and Vernon Watkins. Also included is a handwritten and typescript copy of a letter, dated 16 December 1953, to George Reavey and Irene Rice Pereira, with a photograph of Caitlin and baby Colm; a typescript copy of a letter, 1954, to David [Higham]; and photocopies of two letters, 1951 and 1962, sent to Helen [McAlpine], held at the University of Texas. Personal matters are mainly discussed in these letters, and Caitlin's life and relationship with Dylan Thomas; several letters are written during the months following her husband's death, and some relate to the trial concerning ownership of the manuscript of 'Under Milk Wood'.

Autograph pencil draft, [1930x1932], of an untitled limerick by Dylan Thomas about his friend Daniel Jones. Two lines at the beginning of the verse have been crossed out by the author; a selection of rhyming words are noted at the top of the page. 'Bridg[e?]' and 'Brigid' are inscribed in ink on the reverse.