Item NLW MS 24183F, ff. 28-33. - David Jones letters to Bryn Griffiths

Identity area

Reference code

NLW MS 24183F, ff. 28-33.

Title

David Jones letters to Bryn Griffiths

Date(s)

  • 1966-1967 (Creation)

Level of description

Item

Extent and medium

6 ff.

Context area

Name of creator

Biographical history

David Jones (1895-1974) was an accomplished artist who produced watercolours, illustrations and inscriptions, and who also gained acclaim as a poet, especially as the author of In Parenthesis in 1937, and the long prose poem The Anathemata in 1952.
David Walter Jones was born in Brockley, Kent, on 1 November 1895. His mother, Alice Ann née Bradshaw, was from London, and his father, James Jones, was originally from Holywell, Flintshire. He attended the Camberwell School of Art from 1910-1914, and the Westminster School of Art from 1919-1921.
He joined the London Welsh Battalion of the Royal Welsh Fusiliers in 1915 and served as a private with them until 1918. This experience had a profound effect on him, and his first book, In Parenthesis (1937), is an epic war poem which deals with the period he spent in France.
In 1921 he was received into the Roman Catholic Church, adopting Michael as a middle name. This was a defining moment in his life and work. In the same year he met Eric Gill and joined Gill's community at Ditchling, Sussex, where he learnt wood-engraving. In 1924 he became engaged to Petra Gill and often visited the family at Capel y ffin, near Abergavenny. His engagement with Petra was broken off in 1927 and subsequently he never married.
Between 1928 and 1932 he moved around a great deal, producing watercolours and also writing. In 1933 he suffered a breakdown in health and endured repeated periods of ill-health from then onwards. He virtually stopped painting until 1937. In 1937 Faber published In Parenthesis, which T. S. Eliot regarded as 'a work of genius'. He was awarded the Hawthornden prize for it in 1938.
He was based at the parental home at Brockley until his mother's death in 1937. He then lived in Notting Hill, and from about 1946 lived in Harrow on the Hill. In 1970 he fell ill after breaking a bone in his hip and resided at Calvary Nursing Home, Harrow until his death in 1974.
A volume of essays Epoch and Artist was published by Faber in 1959, followed by The Fatigue (1965), The Tribune's Visitations (1969) and The Introduction to The Rime of the Ancient Mariner (1972). The Sleeping Lord (1974) and The Roman Quarry (1981) were published posthumously.
In 1955 he was awarded the CBE, and also the Harriet Monroe memorial prize. In 1960 he was awarded the degree of D. Litt from The University of Wales and became both Fellow of the Royal Society of Literature and a member of the Royal Watercolour Society in 1961. He was awarded the Royal National Eisteddfod of Wales Gold medal in 1964 and the Welsh Arts Council Literature Prize in 1969.

Name of creator

(1933-2025)

Biographical history

Archival history

The letters were previously sold at auction by Sotheby’s, 17 December 1996, lot 271.

Immediate source of acquisition or transfer

Christie's; London; Purchased at auction, lot 112 (with ff. 26-27); 14 December 2023; 995062610002419.

Content and structure area

Scope and content

Six autograph letters, August 1966-April 1967, from David Jones to Bryn Griffiths, editor of the volume Welsh Voices: An Anthology of New Welsh Poetry (London: Dent, 1967), discussing Jones's contributions to the volume, namely the poems 'The Hunt' (pp. 21-25) and 'Yr Offeren Gwenhwyfar' (pp. 26-29).
A Note and eight footnotes to accompany 'Yr Offeren Gwenhwyfar', faithfully reproduced in the anthology, are supplied in the letter of 31 August 1966 (f. 30). The other letters mostly concern his dissatisfaction over a contentious clause in the publisher's contract (f. 31), proof corrections, layout and other publishing matters. The letters are written mostly in black ballpoint, with green or red used for emphasis and underlining or for insertions and annotations.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Arranged chronologically at NLW.

Conditions of access and use area

Conditions governing access

Readers consulting modern papers in the National Library of Wales are required to abide by the conditions set out in information provided when applying for their Readers' Tickets, whereby the reader shall become responsible for compliance with the Data Protection Act 2018 and the General Data Protection Regulation 2018 in relation to any processing by them of personal data obtained from modern records held at the Library.

Conditions governing reproduction

Usual copyright laws apply. Information regarding ownership of David Jones copyright can be found at: https://norman.hrc.utexas.edu/watch/ (viewed March 2026).

Language of material

  • English
  • Welsh

Script of material

Language and script notes

English, some Welsh.

Physical characteristics and technical requirements

Finding aids

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

For letters of Bryn Griffiths to David Jones, mostly comprising the other half of this correspondence, see (in chronological order) NLW, David Jones (Artist and Writer) Papers CT5/4, f. 10 (a circular concerning the formation of the Guild of Welsh Writers, [?1964]), CT3/5, f. 38 (13 August 1966), CT7/4, f. 64 (26 August [1966]), CT3/6, f. 11 (2 September [1966]), CT3/5, f. 42 (postcard, 6 September 1966) and CT5/4, f. 9 ('Thursday', [?early 1967]).

Related descriptions

Notes area

Note

Title based on contents.

Note

'F.6000' in pencil on f. 29.

Alternative identifier(s)

Alma system control number

995062610002419

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Physical storage

  • Text: NLW MS 24183F, ff. 28-33.