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Minutes of public and committee meetings of Hope (Flintshire) Branch Bible Society, covering (with gaps) the period from its institution on 7 April, 1835, until 1849.

Papers of Horace Morgan, 1899-1974, including notes on the history of Ystradgynlais and a typescript copy of his thesis 'The history of religion in the parish of Ystradgynlais: a study in proletarian culture'; typescript of an article 'The passing of the old canal at Ystradgynlais'; typescript copies of stage plays written by him, 1940s; and lists of baptisms, new members and burials at Beulah chapel, 1899-1928.

A book of Hours, of unidentified Use, in Latin with a few rubrics in Catalan, [first half of the fifteenth century], from Catalunya or the Pyrenees, containing Calendar (ff. 1-11 verso), Gradual Psalms (ff. 12-27), the Hours of the Virgin, the Mass of the Virgin (ff. 80-6 verso), the Office of the Dead (ff. 87-140), the Penitential Psalms (ff. 141-56), and Litany (ff. 156-66 verso).
The Calendar includes many saints whose cult was particularly important in Spain and Catalunya, including Agatha, Eulalia (of Barcelona, Feb. 12, and [?of Merida], Dec. 10), Baudelius, Quiteria, Justa and Rufina of Seville, Abdon and Senen of Cordoba, Laurence, Felix of Gerona, Theccla, patron of Tarragona, Callistus, patron of Seville, Cecilia, Barbara; similarly the Litany includes Just and Pastor of Alcala de Henares, Cyricus, Theccla and Eulalia; others, such as Radegunde of Poitiers, Tropimus of Arles and Rufus of Avignon mentioned are associated with south and western France. Prayers to St Eulalia are also included in Lauds (f. 51 verso) and Vespers (f. 74 verso). Rubrics by hand I in Catalan on ff. 85 verso-86 verso crossed out, but mostly legible, confirm provenance in the paísos catalans.

Book of Hours, mainly of Sarum use, with calendar. The volume has associations with the Caernarfon district.

A Book of Hours of the use of Paris, in Latin and French, second half of the fifteenth century, apparently of Breton provenance, containing a Calendar in French (ff. 1-12 verso); Hours of the Blessed Virgin Mary (ff. 13-70), incorporating the Hours of the Cross and of the Holy Ghost from the end of Lauds onwards; 'Obsecro te' (ff. 70 verso-5 verso); 'O intemerata' (ff. 75 verso-8 verso); part of the Gospel of St John (ff. 78 verso-80); suffrages of SS Sebastian, Michael, John the Baptist, Peter and Paul the Apostle, Christopher, Nicholas, Julian, Mary Magdalen, Catherine and Margaret (ff. 80 verso-8); penitential Psalms (ff. 89-103 verso); Litany (ff. 104-10 verso); and Office of the Dead (ff. 111-52 verso). Illuminated initials, mainly one-line and two-line in text, mostly four-line in illuminated borders of coloured foliage and flowers, dominant colours red, blue, pink and gold. Eight polychrome miniatures in arched compartments above four-, three- and two-line illuminated initials with four or five lines of text, all within full borders of same style as before; subjects are the Annunciation (f. 13), Crucifixion (f. 38), Pentecost with Virgin Mary (f. 39 verso), Martyrdom of St Sebastian (f. 80 verso), St Christopher carrying Christ child (f. 83 verso), St Margaret and dragon (f. 87 verso), King David at prayer (f. 89) and funeral scene (f. 111). The Calendar includes St Yvo of Brittany and St Mellon of Llaneirwg, Monmouthshire, and Plomelin, Brittany, and the Litany the Breton Saints Yvo, Maglor of Dol and Armel. Added on f. 154 by a late fifteenth-century hand is a hymn to the Virgin, in French, by Guillaume Alexis (fl. 1451-86) (see Piaget, A. & Picot, É. (eds): Poétiques de Guillaume Alexis (Paris, 1908), pp. 199-200); the same poem is attested in at least two other late fifteenth-century manuscripts of Breton provenance (London, BL Add. 18838 and Paris, BN lat. 1369; Långfors, Arthur: Les Incipit des poèmes français antérieurs au XVIe siècle (Leipzig, 1971), p. 149). Traces of another, unidentified poem in French, in a different but perhaps contemporary hand, are visible on f. 154 verso.

A Book of Hours of the use of Sarum, [c. 1380x1400], in original binding but wanting many leaves. Contains: Kalendar (ff. 5-9 verso), Hours of BVM (ff. 10-39 verso), Penitential Psalms, Gradual Psalms and Litany (ff. 40-54 verso), Office of the Dead (ff. 55-78 verso) and Commendation of Souls (ff. 80-7 verso), with added prayers on f. 79, contemporary, and ff. 87 verso-9, after 1457. Illuminated initials, mostly 3-line, and borders, the dominant colours gold, blue and maroon, the initials on f. 25 (St Catherine) and f. 46 (face of Christ) historiated. From the workshop, probably in London, which produced, among other manuscripts, the Balknap Hours (J. R. Abbey Sale, Sotheby's 1 Dec. 1970, lot 2869) and Bodley MS 581 (after 1391). The Kalendar includes, in the original hand, Chad and Edward, the litany (all that survives, the Virgins) Ethelreda, Mildreda, Radegunde and Osyth. A hand of second half 15 cent. (which adds Osmund, canonized 1457) added to the Kalendar, in red, the feast and translation of Cuthbert and the invention of Oswin (relics at Tynemouth), besides other synodal Sarum feasts in black.

A group of household vouchers (food, clothing, etc.) of William Yearsley Clarke, maltster, of Hight Street, Welshpool (with one voucher of Thomas Clarke, solicitor, Welshpool), 1841-70, and invoices of shipments of porter for W. Y. Clarke from Dublin to Chester, 1845.

A transcript of 'The Booke of Orders for the Gouernment of myne Hous' compiled by Anthony [Maria Browne, viscount] Montague (1574-1629).

An essay on 'The housing of Aberystwyth and its relation to the economic development of the town', with plans and illustrations, written by Margaret E. Hughes, Aberystwyth, and submitted as part of the Final degree course in the Department of Geography and Anthropology, University College of Wales, Aberystwyth, 1937.

How a Folk Tale is Told (broadcast) by Robin Flower. (Typescript.) English. In boards. Copied from the script lent by the author.

A boxed copy of Philip Dunne's adaptation of Richard Llewellyn's novel How green was my valley (London, 1939) for the screen. The script is stamped as 'second revised final', 18 April 1941, and the revised pages are in blue.