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Caniadau Dewi Emrys

  • NLW MS 22249B
  • File
  • 1950s

A typescript collection of poems by David Emrys James (Dewi Emrys), compiled, 1950s, by the Reverend J. Seymour Rees, Seven Sisters.

Rees, J. Seymour (John Seymour), 1887-1963 Compilation of poetry (1950s), NLW MS 22249B

Caniadau 'Gwili',

  • NLW MS 11015C.
  • File
  • [1934] /

The original manuscript of John Jenkins ('Gwili'): Caniadau Gwili (Wrecsam, 1934).

Gwili, 1872-1936

Caniadau y Cyssegr,

  • NLW MS 9250A.
  • File
  • 1839-1871 /

A copy of Caniadau y Cyssegr (John Roberts) (Denbigh, 1839), with additional tunes in manuscript, 1839-1871.

Roberts, John, 1807-1876

Caniadau,

  • NLW MS 21460A.
  • File
  • [1873].

Copi llawysgrif anghyflawn o John Davies ('Ossian Gwent'): Caniadau (Wrecsam, 1873).

Canmlwyddiant Ann Griffiths

  • NLW MS 773B
  • File
  • 1905

Minutes of committees and letters relating to the centenary, 1905, of the death of Ann Griffiths (1776-1805), hymnist.

Cantata gan Owen Jones,

  • NLW MS 9128B.
  • File
  • [1831x1939] /

A cantata and other musical compositions by Owen Jones (Owen y Cantwr), Penycae, Wrexham, and a biographical note by his son, John Owen Jones.

Jones, Owen, 1811-1862.

Cantawd

  • NLW MS 3424B
  • File
  • 1878

A cantata entitled Plant y Tlotty. Cantawd at Wasanaeth Corau Plant, composed by Morgan de Lloyd for a competition at Treherbert, Glamorgan, 1878.

de Lloyd, Morgan, Aberystwyth Plant y Tlotty, cantata (1878), NLW MS 3424B

Cantawd: 'Gwarchaead Harlech',

  • NLW MS 9497E.
  • File
  • [1847x1870] /

The original manuscript score of a cantata - 'Gwarchaead Harlech' - by Joseph David Jones, Ruthin (1827-70).

Jones, J. D. (Joseph David), 1827-1870

Cantilena e Scherzo for String Quartet and Harp by Gian Carlo Menotti

  • NLW ex 3047
  • File
  • 1977

Autograph manuscript by Osian Ellis, harpist and composer, of 'Cantilena e Scherzo for String Quartet and Harp' by Gian Carlo Menotti, copied by him from the manuscript and with his detailed markings and corrections and annotations throughout, this being almost certainly the copy used by him in preparation of the first performance. Accomplished in black, blue and purple ink, and pencil. The Cantilena and Scherzo was first performed at Alice Tully Hall (New York, Lincoln Center) on March 15, 1977 by Osian Ellis, James Buswell (violin), Ani Kavafian (violin), Walter Trampler (viola) and Leslie Parnas (cello). The work has its roots in Ravel’s Introduction and Allegro and Debussy’s Danse sacrée et danse profane, but instead of separating the two movements, Menotti frames the Scherzo with the Cantilena’s lyrical material, creating a ternary structure. The very choice of the word ‘Cantilena’ betrays Menotti’s preoccupation with vocal writing, and the result is suitably song-like, full of melodic richness, sustained string writing, and a resonating harp part.

Ellis, Osian

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